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• Sales Rank: #5899800 in Books
• Published on: 2007
• Original language: English
• Dimensions: .0" h x .0" w x .0" l, 1.10 pounds
• Binding: Paperback

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[C165.Ebook] Download The Boneshaker, by Kate Milford

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After publishing a ghoulish article on how to make saltwater taffy in a haunted kitchen, accomplished screenwriter and playwright Kate Milford has shifted her talents toward books for young audiences. In Milford's first novel, 13-year-old Natalie knows there's something unnatural about Dr. Jake Limberleg when he comes into her father's bicycle-repair shop. But when Limberleg claims he can perform miraculous healings, Natalie begins to seriously doubt whether she's up to the challenge this potentially dangerous man presents.

• Sales Rank: #40424 in Audible
• Published on: 2011-04-22
• Format: Unabridged
• Original language: English
• Running time: 680 minutes

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17 of 18 people found the following review helpful.
Shivery Good!
By Kate Coombs
Natalie loves machines. She helps her mechanic father in his shop, repairing motorcars and bicycles and trying to build clockwork machines like a small flyer. It's 1914, and Arcane isn't an ordinary small town. The crossroads is a place of power, where the devil once battled an old musician for his soul and lost.

At least, that's the story Natalie's mother tells her, but is it true? As The Boneshaker progresses, we learn not only that the story is true, but that the uncanny Doctor Jake Limberleg's Nostrum Fair and Technological Medicine Show has something to do with demons, as well.

Natalie, whose biggest concern up till now has been her inability to ride the odd bicycle her father has rebuilt for her, the titular boneshaker, now has a whole new set of worries. With her friends, she begins to explore the eerie doctor's medicine show. What she discovers frightens her, but things get even worse when her brother and father decide to bring her ailing mother to the medicine show for treatment.

The author builds her story--and the suspense--beautifully, pulling readers deeper into Natalie's all-too-appropriate fears about Dr. Limberleg and the "paragons" who accompany him. Meanwhile, Natalie's continuing efforts to ride the boneshaker lead us to a final chase scene in which she must ride the bike on a wild night-time journey to save her town and everyone she loves.

Milford gives us fun details like the time Natalie tries to sell a single bee to the town's shopkeeper, along with curious details such as the miniature automata inside Dr. Limberleg's trailer or the way the front left wheel pops off of every vehicle that comes into Arcane through the crossroads. And the medicine show, a kind of carnival, is described nightmarishly well.

The characters here are as marvelously strange as the medicine show. We get to know Old Tom Guyot, the elderly black musician who challenged the devil and won; a devious drifter named Jack (whom you might recognize from folklore); a mysterious rich man who isn't quite human; and stalwart townspeople such as the pharmacist and Natalie's friends Alfred and Miranda.

Milford's work hints of magical realism and Alfred Hitchcock's subtle touch rather than today's scare-a-minute horror stories. A rich and shivery historical fantasy--or what I like to call rural fantasy--The Boneshaker will appeal to kids who are willing to take the time to watch fear unfold in increasingly unnerving detail.

Note for Worried Parents: In addition to mature themes relating to the serious illness of a parent, The Boneshaker features pacts with the devil and demonic horror elements. It's definitely creepy, which explains the publisher's suggested reading range of 10 and up.

6 of 6 people found the following review helpful.
The Teeth-Chattering Boneshaker
By Sunny Sewing Honeybee
Natalie has a mechanically-inclined father who keeps a marvelous bicycle workshop and has just restored a vintage bicycle for her. Too bad she can't figure out how to ride it! Together, they are attempting to bring a little automaton airplane to life. Natalie's mother has a remarkable storytelling ability that brings tales to life. And, so it seems at least, someone has just come to town who can bring things to life . . . without any effort at all.

Milford's unusual setting and characters all work together well to create a magically supernatural feel to the story. Arcane, the town's name, means "mysterious," and the nearby ghost town adds to that feel. The cast of characters in town, both visiting and normal residents, are incredibly complex, including former slave Tom, best known for making a bet with the devil. Natalie discovers that though the town seems very boring on the surface, it has hidden secrets. With the arrival of a "medicine man" and his unusual entourage to the seemingly quiet town, things start becoming really interesting . . . and more than a bit scary.

Why does the medicine man seem to single her out? Why does Natalie seem to be the only person who can tell something shady, and perhaps even downright evil, is going on? Is something really, or is she merely overreacting to things that can be explained? One of the most interesting--and unnerving!--aspects of this book is that you simply don't know one way or the other until about two-thirds of the way through the text. While I don't want to give away any of the plot, since this is the type of story where it's important that things are allowed to be revealed slowly, as a quick warning, there is content that sensitive readers may find overly scary or disturbing.

The beginning is a tad slow since it introduces the characters, rather than really attempting to draw you right in. However, hang in there--from there on, it's a bumpy and exciting ride on Natalie's Chesterlane Eidolon.

6 of 6 people found the following review helpful.
As good as Bradbury; maybe better
By Pop Bop
Sometimes the editorial reviews that head up these comment sections can be very snarky and dismissive. However, the two reviews that lead off for this book seem to be very much to the point. I was pleased to see that one of them referred to Ray Bradbury's "Something Wicked This Way Comes". That is exactly what comes to mind while reading "Boneshaker". Sometimes Bradbury could get carried away and veer toward self-parody in his breathless descriptions, but "Boneshaker" seems more restrained, and builds more steadily and creepily to its conclusion.
The book also introduces a resourceful, sympathetic, aware, aqnd forthright female protagonist. Think of a character like Scout, from "To Kill a Mockingbird", and you'll have a sense of this character, overalls and all.
There are currently an awful lot of books coming out with magic in them, as well as dark versus light type themes, but many of them are sort of manic, with a great deal of exposition about their particular "hook", (alchemy, greek gods, egyptian gods, scandinavian gods, the circles of hell, and so on). Many of them are fun and worthy. But, it seems that "Boneshaker" has a special place in that list mainly because the conflict is built from the ground up on subtle, compelling and satisfying writing, and how nice it is to recommend a book as "well written".

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[P897.Ebook] Ebook Download Harry Potter and the Cursed Child

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The Eighth Story. Nineteen Years Later.

Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, a new play by Jack Thorne, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage. The play will receive its world premiere in London’s West End on July 30, 2016.

It was always difficult being Harry Potter and it isn’t much easier now that he is an overworked employee of the Ministry of Magic, a husband and father of three school-age children.

While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places.

�

• Sales Rank: #285979 in Books
• Original language: English
• Dimensions: 6.46" h x 1.65" w x 9.45" l, .88 pounds
• Binding: Paperback

From School Library Journal
Playwright Thorne and director Tiffany (who previously collaborated on Hope and Let the Right One In) worked with J.K. Rowling to extend the "Harry Potter" universe with an eighth "installment" in the form of the script from the new West End production. The book starts where the last chapter of Deathly Hallows left off—19 years after the main events of the series—with Harry, Ginny, Ron, and Hermione all saying goodbye to their children as they leave for Hogwarts. As Albus, Harry and Ginny's youngest son, attends Hogwarts, he is plagued by the Potter legacy—something he never wanted—and, as he's sorted into Slytherin, is terrible at Quidditch, and constantly compared to his famous father, he becomes reclusive and angsty. His sole friend is Scorpius Malfoy, the only son of Draco Malfoy—prompting further separation from his father. When Albus hatches a plot to go back in time to save the life of Cedric Diggory—what Albus views as the biggest mistake his father made—time becomes distorted and Harry is left to examine his own life, his relationship with his son, and how love can sometimes be much more complicated than it seems. This is an interesting extension of the "Harry Potter" universe, but readers should go into it knowing that it's its own beast. Rowling didn't write it (much to the fury and vitriol of many fans), and it is in script form, so it loses some of the magic that won over millions of readers back when it all began. However, many of the themes that made the original series great are still in abundance—love and friendship conquering all, facing your flaws and accepting them—so that it simultaneously still feels like a "Harry Potter" tale while remaining its own story. VERDICT It is unlikely that the script will create new Potter followers, owing to its format (reading a script vs. reading a novel is a whole other ballgame), but it's a well-crafted and enjoyable read.—Tyler Hixson, School Library Journal

Review
Praise for the playscript of Harry Potter and the Cursed Child Parts One and Two

"A compelling, stay-up-all-night read... The suspense here is electric and nonstop." -- The New York Times

"Fans can breathe easy knowing this play has been respectfully and lovingly wrought. Tensions thrum, spells fly but at center stage, as always in the Potterverse, is the overriding importance of love and friendship, especially in the face of danger.” -- Booklist, starred review

"Whether encountered on stage or on the page, this trip back into the magical world of Hogwarts is thrilling." -- Telegraph

About the Author
J.K. Rowling�is the author of the seven Harry Potter novels, which have sold over 450 million copies and have been translated into 79 languages, and three companion books originally published for charity. She is also the author of The Casual Vacancy, a novel for adults published in 2012, and, under the pseudonym of Robert Galbraith, is the author of the Cormoran Strike�crime series.�J.K. Rowling is making her screenwriting debut and is a producer on the film Fantastic Beasts�and�Where to Find Them, a further extension of the�Wizarding World, due for release in November 2016.

Jack Thorne writes for theatre, film, television and radio. His theatre credits include Hope and Let The Right One In, both directed by John Tiffany, The Solid Life of Sugarwater for the Graeae Theatre Company, Bunny for the Edinburgh Fringe Festival, Stacy for the Trafalgar Studios, 2nd May 1997 and When You Cure Me for the Bush. His adaptations include The Physicists for the Donmar Warehouse and Stuart: A Life Backwards for Hightide. On film his credits include War Book, A Long Way Down and The Scouting Book for Boys. For television his credits include The Last Panthers, Don’t Take My Baby, This Is England, The Fades, Glue and Cast-Offs and the upcoming National Treasure. In 2012 he won BAFTAs for best series (The Fades) and best serial (This Is England 88).

John Tiffany directed Once for which he was the recipient of multiple awards both in the West End and on Broadway. As Associate Director of the Royal Court, his work includes The Twits, Hope and The Pass. He was the director of Let The Right One In for the National Theatre of Scotland, which transferred to the Royal Court, West End and St. Ann’s Warehouse. His other work for the National Theatre of Scotland includes Macbeth (also Broadway), Enquirer, The Missing, Peter Pan, The House of Bernarda Alba, Transform Caithness: Hunter, Be Near Me, Nobody Will Ever Forgive Us, The Bacchae, Black Watch, for which he won the Olivier and Critics’ Circle Best Director Awards, Elizabeth Gordon Quinn and Home: Glasgow. Other recent credits include The Glass Menagerie at A.R.T. and on Broadway and The Ambassador at BAM. Tiffany was Associate Director of the National Theatre of Scotland from 2005 to 2012, and was a Radcliffe Fellow at Harvard University in the 2010-2011 academic year.
�

Most helpful customer reviews

5138 of 5528 people found the following review helpful.
Sigh.
By Brittany
Let me start by saying this, I love harry potter. I read the books 2-3 times per year since I was a child. I've grown up with these books. These books are a part of me, I've named my children after characters in these books. I have 3 tattoos, all of which are harry potter. I'm a dedicated fan, entirely obsessed to be candid. I have waited for this book like the rest of you.

I can handle the fact that it's written as a play, I was expecting this. I was fully prepared to accept this. I waited all night for this to be released to my kindle (it's 3 a.m and I've just finished). I sped through the cursed child and my final thought was, this was disappointing .

I'm skeptical of how much jk rowling actually contributed to this. I get more of a harry potter vibe from the fantastic beasts trailer than this entire book. The plot was bad, almost everything was bad. It was like a poorly written fanfic.

It sucks that I'm saying this because harry potter is a part of soul. I went into this thinking it was everything I'd ever hoped for.

I'm not saying don't buy the book, by all means buy it. Read it. See for yourself. I'm not being cynical, rowling is the queen of my world. This is the first and likely only bad review I will give regarding her.

Just be warned, this does not feel like harry potter. This was not intricate, well excuted, thought out, or clever. The characters were not true to themselves. I think the best way to go into reading this and saving yourself from despair is to read it as a fanfic and not the true works of rowling. It would be tolerable had her name not been involved, I expected so much more.

And now I will try to purge this book from my memory and continue to live in her past works of art. I still have big hopes for fantastic beasts and that's enough for now.

2141 of 2336 people found the following review helpful.
"Do not pity the dead, Harry. Pity the living, and, above all pity those who read Harry Potter and the Cursed Child.”
By Charlotte
Spoilers!!

Huge Harry Potter fan-- 16 years of reading!! So I was incredibly excited for the new one. I keep wondering if there's a therapy group where all the disgruntled fans can congragate and weep together. I'm also refusing to consider in cannon as it was not JKR herself who penned. What they did to the INTEGRITY of these characters. I'm sick over it. The entire 7 book series was about friendship, love and loyalty, and Harry knew that; and most importantly, knew that's what made him different from V. You're telling me, he, Ron and Herm didn't continue to live and instil those values in their children? Rose was a bully, who was prejudice against someone without knowing them first. Harry would never said he wished his kid wasn't his, or sacrificed his kid's only friendship over gosip. Harry wouldn't have choosen work over time with his family, which after all he'd been through WAS ALL HE EVER WANTED.

If someone were to ask me, what is your favorite thing about Harry Potter?, I would hands down reply: Harry Potter's moral integrity, that is the heart of the series. It's his choosing to sacrifice himself for what is good. It's choosing friendship over suspicion. It's a defiant effort to turn towards the pain of loving and losing, then choosing not to love at all. It's choosing to do what right, and best for others even when it hurts, is inconvenient, or scary. It's fighting for truth and justice, even when you're the only one doing it. And when you move away from those central themes, the integrity of who we know Harry (and friends) to have PROVEN himself to be, you destroy Harry Potter and all that he stood for for 7 books. This new book is the worst kind of trash, the one that destroys the soul of our hero.

Also, what they did to calm, measured, quirky, wise Dumbledore, making him a weepy, rude mess, who spoke in cliches, issuing a completely unnecessary "apology" to why Harry was at the Dursleys, when Dumbledore had already apologized profusely for that in HP5 AND severely told off the Dursleys in HP6 for their abusive behavior! It was just phony emotional porn!

And Ron's a proper idiot who got drunk during his wedding?! He would have never disrespected Hermione like that. Hermione was neither clever, nor charming; she didn't come up with hardly any solutions. And what a weak, floppy mess Harry was during the fight scene?! His 16 year old self could have fought better. It's like they sucked the soul out of the books, like a dementor wrote it!! This is not even pointing out the horrible plot holes! No, I refuse this book is real. It's a bloody mess!

176 of 190 people found the following review helpful.
HP's 'Phantom Menace'. Thoroughly heartbroken and beyond disappointed... Read with Caution!
By Amazon Customer
First and foremost, I was well aware that this was a play, not a novel; but even by those standards this is a disgrace. If it was possible I would give 0 stars. I am horrifically obsessed with these books, for the past 19 years (tattoos, pet names, my adult apartment covered in maps and memorabilia - you get the point). Every Christmas and July 31st I have my own HP marathon - movies, and books, respectively. After re-reading the entire series just a day before reading this I was almost in a HP PTSD shock. I have read awful, poorly written, fanfiction that was lightyears better than this tragedy of a story (even calling it that seems overly kind).

The characters you love and adore to abhore are completely missing - just their names remain, and tiny fragments of what seems to be a stolen history of their lives. I sighed, scowled, and groaned mercilessly while reading, and eventually completely gave up trying to understand even a semblance of what was going on in this story.This is NOT cannon, nor something I can physically or mentally endure sitting on my bookshelves next to what was the light of my childhood (and early adulthood if I'm honest). I will rightly say that I had a massive nerd freak-out, and actually tore the book to pieces to prevent myself from re-reading it, as I knew I would as a sadistic form of torture - and it was cathartic as hell.

If you only watched the movies, you may be able to endure this story; but the Potterheads who live and die for these books are just testing their patience, never-questioning love of all things HP, and the sainthood of Rowling by reading this story. (I am aware it is not her writing, and that with the play coming out she was in bind to publish, but that does not excuse this abortion of a story. Even as a play the plot alone is only a modicum of what anyone truly in love with these characters and world would be expecting.)

**SPOILER WARNING**

So many issues: the timeturner now apparently having the ability to go back decades, and create butterfly effect implications; Hermione's visage as a cold, cruel, DADA professor; Harry's Hermione-like myopic focus on his work, above his family; Ron - as a whole; too many others to list without losing my cool once again.

After waiting 9 years for another story, this is truly heartbreaking, and worthy of tears!

**And yes, that's my cat, Albus, looking on approvingly of the tattered remains of my sanity that night.

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One On One With Satan

A chilling and highly convincing account of possession and exorcism in modern America, hailed by NBC Radio as "one of the most stirring books on the contemporary scene."

• Sales Rank: #61910 in eBooks
• Published on: 2013-06-11
• Released on: 2013-06-11
• Format: Kindle eBook

Review
“Martin is above all serious. He is not speaking about madness, about illusions or the irrational, but about the real beyond all reason.... He presents exorcism as ... a titanic clash of wills that threatens the lives, the sanity, even the souls of all attending.” (Newsweek)

“Martin’s polished contemporary sense of traditional theology entices even the skeptical.... Stunningly pertinent ...Will set you thinking-and thinking-and thinking.” (Detroit News)

“The most shattering book on demonic possession isn’t fiction at all but Malachi Martin’s spellbinding work of interpretive reporting.” (New York (Sunday) Daily News)

“In the barrage of books on possession and exorcism, this is undoubtedly the most authoritative and convincing.” (The Washington Post Book Review)

“Malachi Martin ... was the greatest expert on the subject of possession and exorcism in the English speaking world.” (M. Scott Peck, M. D., author of Glimpses of the Devil)

“Hostage to the Devil is the first and only textbook on the subject of possession and exorcism in modern times. It is the only work to describe the stages of exorcism and it is obviously based on an enormous amount of personal experience. ... a brilliant work.” (M. Scott Peck, M. D., author of Glimpses of the Devil)

From the Publisher
A chilling and highly convincing account of possession and exorcism in modern America, hailed by NBC Radio as "one of the most stirring books on the contemporary scene."

About the Author
Malachi Martin eminent theologian, premier authority on the Roman Catholic Church, and former professor at the Vatican's Pontifical Biblical Institute-is the author of such national bestsellers as The Final Conclave, Vatican, The Jesuits, and The Keys of This Blood. His most recent book is Windswept House: A Vatican Novel.

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29 of 29 people found the following review helpful.
Terrifying
By Richard
Exorcisms are rigorously documented from beginning to end and a diary kept by the priest in charge according to strict protocols. The immense ordeal undergone by all, especially the lead priest, is an unseen matter in this modern world of ours, Psychiatry has relegated many cases to the DSM ( Diagnostic and Statistical Manual of Mental Disorders) and some exorcist like Malachi Martin estimate that 50% of so called schizophrenics could be helped by the spiritual aid of exorcism rather than pharmacology in closed wards. This book forces you to come face to, face with the possibility that many mental illnesses are spiritual illnesses. And there is a bias against spiritual as it conjures up rites, prayers and a battle with an unseen entity, a demon. We go to church or synagogue each week in prayer to an unseen Supreme being but feel foolish to think that there is a evil counterpart, lest we are ridiculed as believing in a boogeyman.
This book had a profound effect on me as I was raised Roman Catholic but non practicing. It forced me to re-confront my faith and the fact that evil has a face, invisible like God's but all the same real. When you look at some of the absolutely insane things happening in todays world, one might see a war, a final battle between the Forces of Light and Darkness, that are described in religions texts like the Bible
Warning: this book is profoundly scary, especially if you have any religious training as I had as a youth. It made for some poor sleepless nights

6 of 6 people found the following review helpful.
A journey into demonic destruction
By Jaime Contreras
Fr. Malachi Martin delivers a landmark book on demonic possession. This collection of his experience as an exorcist for 40 years is illustrated by several cases that left their mark on him and his ministry. The book is riveting and will wet your appetite to read more about demonic possession and deliverance. This seminal book is well-written and constructed.

4 of 4 people found the following review helpful.
The best book on exorcism EVER
By Tracy Heyward
After reading this book, I now have a better understanding of what it takes to be an Exorcist and the price one pays in being an Exorcist. If you're interested in parapsychology, theology, or just curious, this is the book to read.

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[J855.Ebook] PDF Download The End of the Silence, by Erich von Daniken

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The End of the Silence, by Erich von Daniken

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Something about our past – the one that took place thousands of years ago – is not right. And members of lodges and the heads of great religions are aware of this. They are keeping their knowledge to themselves. The people are to remain religious and ignorant. But when it is about comparing knowledge and intelligence with ignorance and stupidity, most people will prefer intelligence to ignorance and stupidity. The mentality of a society that does not receive an alternative for its beliefs and its ideology because the monopoly in question does not allow it must fossilize.

At our universities the same nonsense that was taught a hundred years ago is still being taught in Ethnology and Theology. “1000 years’ worth of musty odor under the academic gowns” is what it said on the banners the students were carrying during their demonstrations in 1968. Nothing has changed. And that is what this book is about. Erich von D�niken meticulously lists proven cases of cultural confrontations during which a technically superior civilization collided with a technically inferior civilization. The result was always the same. The technically inferior civilization always classified the other side as being “supernatural.” The effects of the technical devices were regarded as “miracles.” That is what happened last century; that is what happened during the age of discoveries and that is what happened during the Stone Age. That is when extra-terrestrials landed on earth that behaved like ethnologists. They observed a number of societies and disappeared again, promising that they would return some day. The Stone Age people hadn’t understood anything and categorized the foreigners as “gods.” And that is how religions were established.

How could knowledge like that be lost over the millennia? And why is it still being suppressed in our day and age that is so enlightened?

Erich von D�niken makes a clean sweep. He locates and depicts inconsistencies that are about to be forgotten in our vast reservoir of knowledge. This book will show you how to be amazed again.

• Sales Rank: #200060 in eBooks
• Published on: 2015-03-12
• Released on: 2015-03-12
• Format: Kindle eBook

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23 of 26 people found the following review helpful.
DO YOUR HOMEWORK FIRST !!!
By Robert Steven Thomas
Before you click "NO" (you don't like this review) please consider the following very carefully ... First, I have been a loyal, life-long fan of von Daniken and his theories since I first read "Chariots" as a young man in the early seventies and NOTHING has changed. I own and have read every book he has authored available in English and still have most of the original hard copies in my extensive personal research library. I had the honor of meeting Erich and presenting him one of the first copies of my own book "Intelligent Intervention" which supports all of his major premises. I dedicated my book to Erich and began the opening chapter with one of his best-known quotes: "The keys to our future lie hidden in the past." Erich has secured his place in history. The future will only increasingly serve to support his knowledge that Earth was visited long ago by advanced aliens. Therefore, when I state that this particular book is not great, I make this claim without malice or insult and from an exceptionally well-informed perspective. The transliteration from German to English is very poor, making the English version in serious need of a competent editor. Moreover, this book is simply a loosely-collected compendium of many various pieces of evidence (some strong and some VERY weak) which might support his thinking. The strong "evidence" was already presented in his previous books in a much more scholarly and precise manner. Much of the newer evidence in this book is not well-established, scantily described and doesn't contain "source footnotes" so that a reader can do additional study to confirm its legitimacy. My suggestion is 'don't read this book' ... unless you have first read some of his classic works such as "Chariots of the Gods." Most important, don't judge his credibility by this book alone, he is far more knowledgeable than is evidenced here in this poorly crafted read. I hold von Daniken's contributions to humanity in the highest esteem, but I have concerns that this particular book, taken alone, could detract from all of the fine prior work he has shared with humanity throughout his entire life and career.

4 of 5 people found the following review helpful.
expected more
By Peggy Linares
The book was well written but I expected more revelations, pictures and documentation.
How will we end the silence should have been explored.

1 of 1 people found the following review helpful.
Disappointing
By George Miller
I have been an admirer of Von Doniken's work since I first read Chariots of the Gods many years ago. (I read a first US translation.) in the End of Silence, he attempts to build a case for the secret societies of our world to reveal the truth about Ancient Astronauts and visitations of the "gods".

I'm afraid his book bored me. It rehashes old ideas while neglecting to present any new information.

My advice is avoid this book.

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• Sales Rank: #14156426 in Books
• Published on: 2002
• Binding: Hardcover

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• Binding: Paperback

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