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Few other professions can match landscape architecture’s requirement graphically to represent and communicate so much content and so many ideas. From large-scale master-plans and strategic visions, design concepts and outdoor experiences, to specific vegetation and precise construction details – at some point everything has to be explained on paper. This handbook focuses on two areas which, even in the age of digital media, are still staples of the profession: orthographic projections and blackline drawings. Intended to be both instructional and inspirational, this book covers the basics of landscape architectural representation, hand drawing and sketching in an easy to understand way, encouraging readers to draw their ideas and develop their own graphic language and style. Showcased in these pages are many drawings from international landscape architecture offices offering practical guidance and numerous examples in key thematic areas:
> Basics of orthographic and parallel projections
> Introduction to drawing tools, applications and effects
> Symbols in different scales, styles and abstraction levels
> Drawing perspectives: constructed and free-hand
> Basic principles for layout and lettering
- Sales Rank: #2594871 in Books
- Published on: 2016-12-01
- Original language: English
- Dimensions: 9.29" h x 1.42" w x 11.46" l, .0 pounds
- Binding: Hardcover
- 360 pages
About the Author
Sabrina Wilk is a landscape architect. Born and raised in Toronto, she received her Bachelor degree in Landscape Architecture from the University of Toronto, before going on to complete her Diplom Ingenieur degree in Architecture from the Technical University of Karlsruhe. She specialized in visual representation, analogue and digital graphics in landscape design. Since 2005, she is full-time Professor of Drawing and Visualization at the Faculty of Landscape Architecture, at the University of Applied Sciences Weihenstephan-Triesdorf. She founded the LineScape drawing initiative in 2007, to promote and foster drawing practice and techniques within the landscape design professions. She has also held lectureships in graphics and design at the University of Greenwich and at University College Dublin where, in 2015, she further enchanced her passion for landscape imagery and visual culture with a Doctorate in Art History and Cultural Policy.
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