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With unsettling beauty and intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an abandoned Italian villa at the end of World War II.The nurse Hana, exhausted by death, obsessively tends to her last surviving patient. Caravaggio, the thief, tries to reimagine who he is, now that his hands are hopelessly maimed. The Indian sapper Kip searches for hidden bombs in a landscape where nothing is safe but himself. And at the center of his labyrinth lies the English patient, nameless and hideously burned, a man who is both a riddle and a provocation to his companions—and whose memories of suffering, rescue, and betrayal illuminate this book like flashes of heat lightning.
- Sales Rank: #34133 in Books
- Brand: Vintage Books
- Published on: 1993-11-30
- Released on: 1993-11-30
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 5.20" l, .52 pounds
- Binding: Paperback
- 305 pages
- Great product!
Amazon.com Review
Haunting and harrowing, as beautiful as it is disturbing, The English Patient tells the story of the entanglement of four damaged lives in an Italian monastery as World War II ends. The exhausted nurse, Hana; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burn victim who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning. In lyrical prose informed by a poetic consciousness, Michael Ondaatje weaves these characters together, pulls them tight, then unravels the threads with unsettling acumen.
A book that binds readers of great literature, The English Patient garnered the Booker Prize for author Ondaatje. The poet and novelist has also written In the Skin of a Lion, Coming Through Slaughter and The Collected Works of Billy the Kid; two collections of poems, The Cinnamon Peeler and There's a Trick with a Knife I'm Learning to Do; and a memoir, Running in the Family.
From Publishers Weekly
Canadian author Ondaatje offers a poetic novel set in a desolate Italian villa in the final days of WWII--a one-week PW bestseller--and an evocative account of a visit with his family in Sri Lanka.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
Who is this wounded soldier living at an abandoned Italian villa near the end of World War II? He does not remember his name, only that he is British, but pieces of his conversation betray his knowledge. For the woman nursing him, his past does not matter. But as their twosome is invaded by two others, all focus shifts to his "true" identity. Ondaatje deals with the culture he knows best: the British family, living in Canada, relocated during the war. Poet that he is, he replaces narrative with vivid, lyric snapshots. Listeners may have to periodically rewind the tape to recall who is who, since the four ruminating voices, narrated by actor Michael York, are seldom identified by name, and flashbacks add to the confusion. But this book is best appreciated if listeners suspend a focus on the immediate narrative line, picking up bits of the story here and there, retaining enough imagery that eventually they understand a much greater whole. As such, it's a masterpiece. For most collections.
- Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," New York
Copyright 1993 Reed Business Information, Inc.
Most helpful customer reviews
5 of 5 people found the following review helpful.
If You Have Seen The Movie...You Haven't Yet Heard This Wonderful, Multilayered Story: READ IT
By Isabella R
The movie and book are two different animals and they are both masterpieces and can both stand on their own.
The book is presented in three story-lines, independent and intersecting at the same time. That much character development would not have made a good movie.
The story lines of Hana, Kip and Caravaggio are as unique and interesting as that of the English patient whose story brings them all together and intersect. While the Drama of each of their lives could be a story in itself and the specificity of the English patient, strangely, is not even needed to for they story arch...it could have been other things...but the saga of the English patient and the mystery of his life and identity interweaves and drives their more mundane life struggles. It's story, story, story and the English patient's narrative is a powerful driver.
Missing or short-changed in the movie are the deeper story of Hana dealing with the trauma of her father's death, Kip's story of trying to navigate the fallout of colonialism, assimilation, identity and the east-west divide, and Caravaggio's (who's character, along with Hana first appear in a previous book " "In the Skin of a Lion"-they really did grow up together in Canada) who relationship with Hana is infused with tenderness but is confusing to Hana because of unresolved family relationships she is still sorting out...and sought out Hana in Italy (not the English patient-but there are connections there they turn up).
Don't skip the book...it is a good read with characters of depth that you don't often encounter.
1 of 1 people found the following review helpful.
Sappers, the unsung heroes
By Chiek
An extremely difficult book to read because I am unfamiliar with the landscape of war torn Italy, the strange names, dates, references. Infused with poetry, lyrical language used by author Ondaatje, I was often lost. Four major characters, including the charred "English patient" filled the bulk of the story. The story of Singh sapper impressed me most for the death defying life saving debombing he did. Most of all, his indignation over west nuking Nagasaki and Hiroshima left also stirred great indignation in myself over US's great crime against humanity. Fighting evil with infinite greater evil must never be be condoned and forgotten so easily by the world.
2 of 2 people found the following review helpful.
Not an easy book
By Kindle Customer
But worthwhile, I think. I saw the movie years ago and I read the book now because I am about to watch the movie again. I remember the movie being beautifully filmed and I loved the score, but I left the theatre feeling confused. As I implied in the title, this is not an easy book to read: to puzzle out. At the end, nothing is as it appeared at the beginning. How anybody makes the book into a movie is beyond me.
But if the book is difficult to read and understand, it is beautifully written. The language is lyrical. At the end of WWII, a young woman, a nurse, winds up living with three men in a bombed out wreck of an Italian Villa. One is The English Patient, hideously burned in a plane crash in Libya, and supposed to be dying. The other three are also victims of the war, although their wounds might be more difficult to see. The interactions of these four damaged survivors are woven into a tapestry as the novel unfolds, beautiful but, at the end, still difficult to comprehend.
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